Physical Theatre
At its simplest,
physical theatre is anything that puts empathsis on movement and using the body to tell the
story.
Often abstract in
style leading to performers to use very little or no dialogue at all.
DV8
Dv8 are among the
main practitioners of physical theatre and focus on the dramatical potential of
movement. Dv8 are well know for exploring complicated aspects of relationships
and social issues, things that can appear 'cheesy' in dialogue.
Frantic Assembly
Frantic assembly are
a contrast to Dv8 as they use lots of dialogue to create an obvious play and
structure rather than a just a dance.
Stylised Movement
Stylised movement
can take a normal standard play for example Macbeth and make it cater to a new
audience for people who may not like the extended dialogue of a Shakespeare
Physical theatre can
also be used in the way people like Steven Berkoff use like creating the
setting with bodies like furniture and ect!
Combining Art Forms
Physical theatre has
a focus' on movement as well as creating interesting dialogue. Physical theatre
almost breaks the fourth wall like Brecht as it is never majorly realistic and
shows the audience that they are in a performance and not real life like Brecht's
style.
Commedia
Commedia dell'arte
began in Italy in 16th century and is very physical as the characters usually
use masks so that facial expressions are hidden from the audience. This
requires movement to express emotions and actions.
Techniques:
Mime
Gesture
Status
Proximity
Stance
Harshness and
tenderness
Movement
Not moving
Dance work
Motif's
Contact improvisation
Contact
improvisation is usually between two people where there is a point of contact
and a reaction, example
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